Monday, May 19, 2008

The village: Shimonohara

I live in a hamlet of less than 100 people, called Shimonohara, which means "lower field". About 150 years ago, when the modern state of Japan was created, Shimonhara was incorporated into the village of Tanijyugo, which means "inhabited valley". Tanijyugo was later incorporated into the town of Sakurae, which means "cherry inlet". 2 years ago Sakurae became incorporated into the city of Gotsu, which means Go Port, Go being the name of the river that enters the Japan Sea at Gotsu.

Shimonohara is about 20kms upstream of Gotsu on the bank of the Go.

My hamlet is further subdivided into 3 sections, Upper, Middle, and Lower. Each of these sections is composed of 5 household units called "Gumi". Gumi were created by the rulers of Japan as a form of political control. Each 5 household group was held collectively responsible for any crimes or misdemeanors committed by any member of the 5 households. This goes a long way to explain the extreme "interest" Japanese have in their neighbor's behaviour!

The gumi as a unit still function, though there is no longer any collective punishment! If there is a death, it is the gumi that is responsible for the funeral and the complex set of rituals connected to it.

Japan has a very aged population, and in the rural areas the younger people have moved to the cities for "convenience", so most people in Shimonohara are much older than me. Unusually, there are no empty houses in Shimonohara. Most villages I walk through have 30 - 50% of the houses empty. In the mountains there are many small communities that have been reduced to just one household.

The houses are built against the steep mountainside, around the large central area of rice paddies.

The road ends here, so there is no through traffic.


See more photos of Shimonohara

Red Hanya mask

Red Hanya mask

Hanya Mask Iwami kagura

For the past couple of years, I've been making masks in the Iwami Kagura style. Iwami kagura is the local form of sacred dance theatre that is almost unknown in the rest of Japan, but round here people are fanatical about it. My masks are of course for sale, so if interested, please contact me.

The masks were originally carved from wood, but about 100 years ago new methods using paper and ground seashells began to be used. Like most Japanese crafts, making masks involves dozens of steps and can take several weeks to complete.
As well as being used in kagura, the masks are also put up in the entrance of people's houses to drive away evil spirits and bad luck.

The Hanya is a female demon, and in the original story a woman fell in love with a priest, and, unable to consummate her love, her face became distorted with anger and jealousy. Some sources suggest the story originated in the Genji Monogatari (Tales of Genji). The name "Hanya" comes from a certain gentleman named Hannyabo. He was a monk in the Muromachi Period ( 14th & 15th Centuries), and was a master mask-maker whose masks were really terrifying. There is a sense that the Hanya represents the anger and jealousy of any woman. If you have seen a Japanese wedding then you may have wondered about the meaning of the large hood that the bride wears. Its called a tsunokakushi, which means "horn hider".
The body language used to suggest someone is becoming angry or jealous is to put your hands to the side of your head with the forfingers extended to imitate horns.

To buy this or any other masks please email me.

I will be posting more images of my masks, and lots of posts on Iwami Kagura.

Blue Hanya

Regular Hanya

Purchase a selection of ema from GoodsFromJapan

Saturday, May 17, 2008

Hinomisaki Shrine

Hinomisaki Jinja, Shimane.

Located about 8k north of Izumo Taisha in a small fishing village is Hinomisaki Shrine. Its current architecture was built under orders of Tokugawa Iemitsu in 1664, though the shrine is mentioned in the Izumo Fudoki so has been in existence for 1,000 years before that.

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Renovations and re-painting have been completed and the buildings, which are classified as Important Cultural Treasures, now shine in their former glory. The best time to visit is in the late afternoon and early evening when the setting sun shows off the vivid vermillion best.

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The shrine enshrines Amaterasu and Susano, and there is also an Inari shrine. When Lafcadio Hearn visited here in the late 19th century there was a "floating torii" in the sea, but this no longer exists.

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The shrine can be reached by bus from Izumo City or Taisha, and there are several small minshuku (guest house) in the fishing village. Nearby is Hinomisaki Lighthouse, the tallest in East Asia.

See more photos of Hinomisaki

Thursday, May 15, 2008

Shimane Museum of Ancient Izumo (inside)

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The Shimane Museum of Ancient Izumo is a large and excellent museum. Unfortunately photography is not permitted in the galleries!

The main collection is composed of several themed galleries. The first looks at the history of the grand shrine of Izumo Taisha. In 2000, excavations at the shrine revealed the base of 3 huge pillars that confirmed the old records that said the shrine rose to a height of 50 metres, making it probably the tallest wooden building in Japan, if not the world. There are paintings, artifacts, and models showing how the shrine looked.

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The next section deals with the Izumo Fudoki. Fudoki were gazeteers compiled in the early 8th Century at the request of the fledgling central government in Nara who were solidifying their control over the Japanese islands. The Fudoki contained information on the geography, history, and folklore of each province. Only the Izumo Fudoki has remained intact until the present-day, which goes some way to explaining why Izumo's traditions remain strong.

The main section deals with bronze implements, swords, and other ceremonial and grave goods. The centrepiece is one huge display case covering an entire wall that contains 358 bronze swords and 358 replicas of how they appeared new, before spending 1500 years buried in Kojindani. Before their discovery in Kojindani, there had only been 350 such swords discovered in all of Japan, a strong indication of the importance of Izumo in ancient times before the rise of the Yamato. Also on display are dotaku (ceremonial bronze bells), an ancient Chinese mirror, believed to be one of Himiko's mirrors, and the remains of an iron sword engraved with kanji which is believed to be the earliest known example of writing in Japan.

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Other galleries feature exhibitions on more recent Shimane history, Iwami Ginzan, and Izumo's ancient myths.

Entrance to the museum is a mere 600yen, and if you are a foreigner there is a 50% discount. Free digital audio guides are available free and give details on some of the exhibits in seceral languages.

One of the best museums I've visited in Japan!

Outside the Museum

Wednesday, May 14, 2008

Shimane Museum of Ancient Izumo (outside)

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This is the west wall of the recently-opened Shimane Museum of Ancient Izumo.
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Located adjacent to Izumo Taisha, the 9,400 sq. m. building was designed by Fumihiko Waki, who chose the rusted Corten steel to express Izumo's early history of iron and steel production.

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There is also lots of glass, and a shallow reflecting pool.
The grounds are extensive and include replicas of haniwa , the large clay figurines buried in association with early tombs.

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With the Kitayama hills as a backdrop, the museum strikes a good balance with its immediate environment and doesn't overshadow neighboring Izumo Taisha.

More on Shimane Museum of Ancient Izumo

Monday, May 12, 2008

Golden Week: Inaka style.

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Golden Week occurs in early May, and is a very busy holiday period. Airports, train stations, and expressways are clogged with millions of Japanese tourists all travelling at the same time.
Where I live, out in the countryside, very few people go travelling however. Early May is time to plant the rice.

Most Japanese farmers are only part-time farmers, as japanese farms tend to be very small, and could probably better be called market-gardens. Most families in the village also have a rice paddy, tambo, and the huge subsidies paid by the government make it worthwhile to plant rice.


Rice growing is heavily mechanized, but the corners of odd-shaped paddies still need to be planted by hand.


More photos from my village

Sunday, May 11, 2008

Shimane Winery

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There are acres and acres of vinyl greenhouses in the area around Izumo Taisha. Most of them contain grapevines to serve Shimane Winery, a popular tourist destination offering free tours and tastings. Wine from grapes was first introduced into Japan by Jesuit priests in the 17th Century, but production did not begin until the late 18th Century when Japan "opened". In the 1950's the fledgling Japanese wine industry expanded and many areas started to produce wine.
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I did try some Shimane wine once, and I am not a sophisticated consumer, but I would rank it about level with British wine!! More photos around Izumo Taisha

Saturday, May 10, 2008

Hananba Matsuri

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Every town in Japan has its own design of manhole cover. Usually the design reflects something of the towns traditions or culture. This one is for Tagi-cho in Izumo.
The design depicts a scene from the 2 annual festivals held in the middle of October at Tagi Shrine, and a few days later, at Takigi Shrine.
The men carry and pull a wooden horse covered in a giant umbrella composed of thousands of colorful paper flowers.

See more Japanese manhole designs

Kazenoko (windchild)

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This may look like a sculpture, but it's not. It's part of a device to teach kids about the wind. Kazenoko is located just off Route 9 in Tagi-cho, Shimane, just underneath one of the wind generators in the area.

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There is a large room with interactive displays for kids to play with wind, and several rooms where art and craft classes are held.
Kazenoko is located on the hill above Tagi JR station. Entrance is free.

Click here for more photos of Kazenoko

Wednesday, June 6, 2007

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